Writing

YEOJA Mag – Managing Editor & Contributor

2019 – DICE Festival: Spotlights on Dai Buger and Tami T [Interview]
2019 – 5 UK Black History Month Icons of 2019 [Listicle]
2019 – KATIE: South Korea’s Breakout Alt-R&B Star [Interview]
2019 – Pep Trapiello: Berlin’s Rising Fashion Designer [Interview]
2019 – Raveena: The Singer-Songwriter on Feeling ‘Lucid’ [Interview]
2019 – Mama Shabz & Biri Bibi: The Women Changing South-Asian Food Culture in Berlin [Interview]

Highsnobiety – Staff Writer

2018 – Manchester’s Mason Collective Is The Fresh Face of UK House [Interview]
2018 – These Artists Fled Syria & Are Now Challenging Audiences in Europe [Interview]
2018 – Noname Embraces The Magic of Black Womanhood on ‘Room 25’ [Review]
2018 – Sunni Colon is Los Angeles’ Best-Kept Secret [Interview]
2018 – Nigerian-born Obongjayar Represents The Changing Face of London’s Sound [Interview]
2018 – Last Heirs Highlights Berlin’s Underground Culture for SS19 [Berlin Fashion Week]
2018 – White Hip-Hop Fans, Here’s Why You Can’t Say the N-Word [Op-ed]
2018 – 10 Belgian Rappers You Need to Know [Op-ed/Listicle]
2018 – Hamburger Bahnhof’s ‘Hello World’ Is a Poor Critique of Art’s Western Focus [Op-ed/Review]

Berlin Art Link – Staff Writer (Intern)

2017 – ‘Cut In The Mirror’ at Entretempo Kitchen Gallery [Review]
2017 – ‘Juxtaposing Narratives’ at ZK/U [Review]
2017 – Taschen Presents Ren Hang’s Self Titled Monograph [Book Review]
2017 – Cecile Emeke’s ‘Strolling’ at Berlin Feminist Film Week [Review]
2017 – ‘Shot Him In The Face’: A Profile on Adam Pendleton [Interview/Review]
2017 – ‘Jaguars and Electric Eels’ at Julia Stoschek Collection [Review]
2017 – Ashley McKenzie’s ‘Werewolf’ at Berlinale 2017 [Interview]
2017 – NON Worldwide at CTM Festival 2017 [Review]
2017 – ‘Through You’ by Saschka Unseld & Lily Baldwin at Sundance [Interview]
2017 – Paul Maheke’s ‘In Me Everything Is Flowing’ [Review]

The Norwich Radical – Student & Perspectives Contributor

2017 – Black Women & The Future of R&B [Op-ed]
2017 – Young Germans & Urban Glorification [ Op-ed]
2017 – How Not to Interview a Black Artist [Op-ed/Review]
2017 – But He’s Not Racist [Op-ed]
2017 – Lone Wolf: The Racialisng of Terror [Op-ed]
2016 – The Radical Notion That We Are People [Listicle]
2016 – The Longevity of Art [Op-ed]
2016 – The Revolution Will Not Be Televised [Op-ed]
2016 – Black Brits and Afropeans [Op-ed]
2016 – A Place for Poetry [Op-ed]
2016 – Solange: A Seat at The Table [Review]
2016 – Skepta & The Return of The Black Punk Ethos [Op-ed]
2016 – Black Erasure in Art [Op-ed]
2016 – Misogynoir in Sport [Op-ed]
2016 – The Miseducation of Grammar Schools [Op-ed]
2016 – Black Students in White Education [Op-ed]
2016 – Global Rape: Sexual Assault Is Everyone’s Concern [Op-ed]
2016 – Dear Students, It’s OK To Be Rich [Op-ed]

Guest Contributions

2020 – Black Women in Curation [COMING SOON]
2017 – Make Room For My Name [The Move Hub]
2017 – Jana Sterbak: The Possibilities & Restrictions of Movement [Sleek Mag]
2016 – Girlhood and Womanism: Céline Sciamma’s ‘Bande de Fille’ [Norwich Radical Film Festival]

%d bloggers like this: